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International DJ & Music Producer Pagano is originally from Italy,
but is now based in London, where he is often singled out for being a
true innovator. His unique blend of different genres of Electronic and
House music has become Pagano's trademark sound and has caught the attention
of partygoers and music lovers the world over. Paganos passion for
electronic music is as close to an obsession as it can get, his ability
to connect with the crowd is unmatched because Paganos main aim
is to share the music he likes with like-minded people.
Paganos DJ sets are always packed with his exclusive bootlegs,
original productions and remixes. As a producer Pagano has successfully
completed a number of releases on many prestigious labels such as Stereo
Productions, Iberican, Champion, KULT Records US, Universal FR, U.M.M,
Hoxton Whores - Disco Darlings, BXR, Media Records, with his own name
or under various alter egos. Through the years Paganos original
productions and remixes have been supported, during their DJ sets and
Radio Shows, by a variety of DJs including big names such as: Paul Van
Dyk, Bob Sinclar, Marco V, Chus & Ceballos, Tiesto, Fergie, Cevin
Fisher, Danny Rampling, Quentin Harris, DJ Vibe, Abel, and others. Paganos
very own project Marvellous, released on Chus & Ceballos
label Stereo, has been included in the compilation After Dark vol.
2 on Roger Sanchezs label Stealth and has been charted by
American icon Junior Vasquez in his top ten! Moreover during the last
2 years Pagano has achieved 3 Top Ten hits in the official UK CLUB
Chart and in the
DMC Club Chart and 1 Top 20 in the UK Cool Cuts.
Pagano has remixed or collaborated with a myriad of artists and DJs including:
Delacy, Robin S, Kathy Brown, Stewart Who? , Peyton, Billie Ray
Martin, Chus & Ceballos, Giangi Cappai, Alan Thompson, Mario Piu,
Joy Kitikonti, Mauro Picotto, Per QX, Andy Farley, BK, Wayne G and the
list goes on.
Paganos DJ career starts in Italy during the 90s, when he patiently
cut his teeth by playing all sorts of clubs and events. Highlights of
Paganos long apprenticeship included a two years residency at the
infamous PERVERT GOLD at De Sade Club in Milan, and regular
DJ gigs at many other Italian clubs and events such as Cassero, Trap,
Matrix, Kinki, Ecu, Insomnia, Jaiss, Exogroove Orbital, Marabu in
Taormina, and many more.
A former resident DJ on Saturdays at Heaven and Sundays at Fabric, Pagano
is currently one of the resident of the renowned Amsterdam event RAPIDO,
where his 7 hours DJ sets at the official After Party are now notorious.
In the UK Pagano has played regularly for events at Ministry of Sound,
Turnmills, EGG, Area, Fire, Crash, The Fridge, Scala, to name a few, and
for high profile brands such as Trade, Matinée, SuperMartXé,
Abstract, DTPM, Breakfast, Party Proactive, Extreme Euphoria, Godskitchen
Global Gathering and many others. Internationally Pagano has toured extensively
playing at a variety of clubs and events around the world including: Space
(Miami), Industry (San Francisco),
The Body Shop (Atlanta), ARQ (Sydney), Fresh (Amsterdam), Space (Ibiza),
Privilege (Ibiza), Torres De Avila (Barcelona), Row14 (Barcelona), Heaven
Ibiza, Circuit Festival (Barcelona), Muccassassina @ Qube (Rome), The
Block (Padova),
La Demence (Brussels), Planet Ios (Greece), Club Latex (Cairo). In 2007
Pagano was the only Italian artist to be invited to perform at Miamis
Winter Party Festival where his DJ set received a series of
raving reviews.
In 2006 Pagano decided to launch his own independent record label in
the UK, and so he came up with the Deviate Records concept. The idea was
to create an unrestricted platform to showcase the evolution of Paganos
sound, and the sound of the most talented of Londons up and coming
producers. The Deviate Records style is all about unique combinations
between different musical genres. Its releases have gained praise in the
pages of many international magazines including DJ Magazine, Mix Mag,
Raveline, Attitude, M8 & One Week to Live. They have been included
in compilations in North America and all over Europe.
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